Eric Walker: Selected Poems


Edited by Raymond Foye and Scott Walker


         


Eric Walker Sketchbook, 1993



American Roads

       

These highways spread across the Land

like giant roads made by men for inhuman crossing;

this language of a native origin, spells its

laughter in the cross of cultures belonging to no one,

and there in the hidden nuances the word bleeds

like a crucifix found inside the measured pages

of lips untamed, of a fountain of tongues too smooth

to realize its common nomenclature, we are something 

to see, spelled differently, still part of the Land;

a crisis, the strong have mixed with the weak,

regionalism is everywhere, but at what price, this

grand facade, a sale of the Eucharist, a blind profiteering

madness proliferates in our great Nation, America the beautiful

has entertained lusts for Power, has deployed missiles over-

seas, has fashioned the Atomic clock into a self destructing time-

bomb...

The hilt of the language is some unspoken dream we all

posses the common birth from which there is no escape.

The post-war economy is built for the defamed virtues of

a Corporate State, stagnation, control, and Democracy has

become the Winter of our Discontent...

So traveling from the far point of a nexus of languid seas,

into the boiling pot, forever the sacred coming of a new 

Messiah of hearts and freeways, forever the cloudy blue of

terminal hiding places, the skin of smoke on the misty mountains

of yesterday, the hidden servile  tongue of Magog upon the

spoken slave, asunder the gears of sleep in the machinery, 

a crane moves against the sky, steel upon the earth, forked

stone, sparks and trembles, something gnashing, gnawing its

way above the ground, eating into the guts of the Land,

spewing smoke in gaseous emissions, the thing blind and

heavy, a hurt post-industrial primed giant, a cool Colossus,

a pitched blackened pit from where it came, its spawning

from the core of the Planet, where it crawled from melting

iron, to its sky-line of black and angry smoke...

The Beast with seven horns

slanks across the long rivers of its

slouching birth, from a borrowed moment

the greasy handshakes of men,

the placid treasure of the free wheeling

Industry spilling oil onto fractured shores,

the poison smells of dying skin, reeks

of the red blooded roses of a rancid stream;

the underbelly, one vast and purple gangrene

stinking in its search for the once wondrous

Free Enterprise, a virtuous toll of Freedom itself

the feral beauty of a garden that was once nurtured and well cared

for, a prison sentence to the Western Frontier of that magical

sojourn through Night's black pit...

We were born free, but something happened, an incredible

mathematical formula, pure and unadulterated greed,

the imbecile in the furnace room turned the heat up to its

breaking point, a sky of birds now misfiring the missiles

of demonic machines, the liquid grime of hatred filled oceans

of misery, born on the Fourth of July we find that the celebrated

wind of Culture has blown to bits he tiny fragility of

children's ponderous vacation from school, the

shy tenements of petroleum forced breathing the air,

the rendezvous with Death in its plush red carpeted palace,

the breaking point, twenty thousand Republicans storming

the stage with broken paper hats, while God talks on the

big screen, hidden in the silence of a scavenging voice...


There is no metal worth saving, but the grace of our american

roads gives us something to walk upon, the last of the Land

is holding out, the War ensues with its broken testimony

of chopped liver and bullets to bleed by, what we have conquered 

it the certain falsity of the undead walking with inhuman

chagrins on their mystical faces, smiling in their wicked

eyes, the clean fountain of the private Free Speech of the 

wounded aftermath of an angry Vietnam says no more than

the New Deal of social lepers... We are moving, constantly

searching the hidden wheels for their power usurping the 

wind...

We are victims of the moving movie-picture that God plays

Hide-n-seek in, where the walls are covered with blood,

and thirsty animals excavate their passion on a crawling

arena, where that which is good is the plain sack holding

a grenade with its ticking pear burning from the plastic

toy that it is supposed to be...

we have never killed, but we have fought on the surface

of the Great Machine that kills with nerves of steel, that     

forces men and women into submission, and bleeds from  

its false Eye, talks of Religion in the name-sake of commerce

broken teeth, ancient redwoods cut down like disappearing

totem-poles, busted the back of the windy City Crawls upon

all fours, celebrates its birth in the phantom blues,

howls like the wind, with its lethal mechanism set to kill...

The brain dances impeccably against the sad demise of the

Spirit, what great banality, what cold and reclusive soldiering, 

what onset of maddening tides come from the hungry earth???



The Body of Love is not a potion, not a gathering of nervous

tensions, but a displayer of human understanding, a great

and compassionate language from the land of its roots.

We follow blind in the night, inside the funeral mores of

our trapped Reason.

We come, the commercial attributes of a set society, head-

lights aimed like cannons at the clean smoke that living

washes its hands in obtuse and dirty air.

The bleeding crucifix is attached to a green tree, bloody

arms waving with the turning of stars gone, creating the nude

and bold asylum of someone who is that old.

What is the angry vision of some jailed whisper that is

the rumour of traffic in some faraway Africa nestled by

the dingy sea.

Holy Mother we are pioneers of the walking freeway, an endless

and haggard mass of people come from a Brave New World,

with hunger deep in their pelvis, and a ghost of mediocrity 

punishing them with its stark and naked wheels of grief.       

Blood pours from the hands, feet, mouth and nose, the great

Bureaucracy is spent in flames, Christ! the blood that is

wasted one these iron tracks of the poor and the blind, they

have cut down the trees so they can carve walking sticks

for the soldiers who fought against Sherman, Hitler, Mussolini,

Stalin, Franco, and Mao's dynasty...

Hemmingway is dead, his stolid corpse is rusty    
   
and cold, his eyes bled into an ink scar upon his wrist,

his grave is the warm blue of the sea, the seer itself comes

from and anguished culture, to arrive in the teeming waves

of a sea-fairer, who must play fair, a paved road to Rome's

turbulent cleansing, the child on the way to the City of

St. Francis leaning on a highway sign, with thumb riding

the wind. 


City auspices,

crimes against nature,

we travel the hard-line

between Fantasy and Reality,

the cold outlook of primary  

functions, the Poem unheard

among alien lands, this service

from which all things flow,

like a tribe of nomads wandering

the endless roads,

all encompassing, the silent kings

of City-states belong to no one,

the rare infidels seek the long

status of riders and industrious saints

of the backwards fury that has melted 

the sea and the mountains now fused as one,

we return shouting for our freedom,

the strong shamanic rites reveal

only the shadow of a primitive culture,

returning then to the Beginning,

a causeless epoch like Floods shattering

awakening, like something of our H. G Wells War

of the Worlds, the populous in transit, moving

through the broken cities punished by a huge

and amorphous technology, the austerity of stars

blinking their eyes in the Void, shouting to be

seen in their super-novas giant climax, and all

we are is maintained by the ground, feet bloody

from walking, the Wise-blood of social coherence

produces a movie for the times, Grapes of Wrath in

black and white, John Huston sitting on the jungle

with Cortez's Wife, John Birch hiding behind the camera,


angry and withered from his money-plain speculation,

the cars running on massive freeways, her BMW pulling

to the front-lines, machines of the Golden Age,

we are powerless, roads that lead everywhere and nowhere, 

Los Angeles, the Lost Angels

spend time in thirsty colleges

learning of the American Debut,

shy children walk from here to the depot

to spend quarters on ice-cream, bottles

emptied and collected for spare-change,

the industrial homeless pray in churches

to the God of Cosmopolitan safety,

Freud wanders bearded in beat bars looking

for an easy catch, eating pretzels in the

camera room, holy altars built to the gods

of Commerce, strange beach blues of the hidden

I love the Alaskan coast though oily beaches

bleed into river-otter and bird-prey,

vultures hover above the pretty arena

from which march the warriors of the new

Christ-cavalry, yes, they are the bitter bride

and groom of the salvation of the Moon-walk encounter

of a thousand holes in Winchester Cathedral,

we mix the silent cues of and endless pool-game

brushing green velvet for a green-fist of dollars,

take back the sound of hush on the carpeted floors

of Jerri Lewis's giant telethon, corporate stars fight

for the presidency, weird Trump pulls out a flush-straight

against the hinjinx of passionate parties where

El Salvador Bleeds its holy triumph against the enemy

and the white Quetzalcoatl of the inhuman dream

to test the strings of the sky-lab,

return then to what positioning of the space-race

struggling to rocket the first tree grown in zero gravity,

yet the Planet is starving and the forest is dying,

rain is plentiful, Mr. Bush in his giant golf-cap goes to

cocktail parties, rain-man express, rainbow tribe

going nowhere, toasting the Earth in its march to

time tables of the early morning Eden-express train

against the asylum, against the Catch 22, against Slaughter

House Five, against the return of the Martians, chronicles

of Heaven and the sad decay of City-parks, Central Zone 

and the push for a concert in the stage of the homeless tribes

and forgotten ghosts of the communal dead deranged and

heavy heads to the Rock of Woodstock and the years in counting,

forgotten eras melt with the Best slandering

Bethlehem's birth right, and Yeats with a Vision for Pound's

closet, the Irish shall rule the unruly, while the bombs go

of in South Africa, Crane burns his draft-card again and

again in the superstitious movie-picture about success and

the fear of it, Whitman with his smoking leaf, cheerfully

chewing grass in the underground bus-station of New York

City, time is on our side, we return, back through the mental

tunnel for our clear escape around the impossible dream

of suicide in the streets of frenzy, collecting dust on the

carpet of a godly estate for the Texan millionaires to market

electric cars, oily dinosaurs spend their time on the Gulf 

of Mexico, satellites send images down from space, Billy

Graham moves in, he talks a lot about the End of the World,

but these american roads, a journey to the center of

the mind, have mercy flag without a map show us that the

Land of the Brave still move in unfurled hiding places,

take the children down into the cellar, make sure their

eyes are hidden from the light, lead rooms, and castles

of plutonium, these are the roads to the heart where the

City of Power is pushed like a flower uprooted, shouting

out blind petals of heroin and rock candy,

City where the sky is falling, City of ash and tumult,

we have run these roads before, to the edge of some

america of dreams.  





Reprinted by kind permission of the Regents of the University of California,
Bancroft Library, Berkeley. Gift of Diane Walker Murray