Alicia Torres
Born 1960 in
Caracas. Studied literature; poet, essayist and translator. Has lived in London and India. Researcher
at the Museo de Arte Contemporannea de Caracas. Loneliness, sometimes desolation, surrounds the meditations of the personae in her book Fatal,1989. Other books of poems include; Consideración de la rosa (Consideration of the Rose), 2000.
Spanish Text
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PRIESTESS
Sometimes I toy
with the idea of killing you
(after all, my
darling,
no one is
innocent)
and then I
think of ancient priests
bedecked in
white linen and gold,
incense on its
way to the heavens,
the rigor of
whetted obsidian
on nights when
the moon is waning,
a bared breast,
the taut and
well-aimed swiftness
of a hand
trained to the dagger,
the gods'
pleasure,
the
satisfaction of duty done.
And there is
order again in the world,
rain spills on
to the fields,
wind fills the
Achaean sails
and the earth
is fertile once more;
but then you
approach, my darling,
with open arms
and I smile
guiltily
kissing your
throat,
your wrists,
your temples.
Vulnerable
life, where it throbs. |
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MAGDALENE
I'll smear
myself with oils from the Levant
scent myself
with heliotrope
so that my skin
will be
delicious to the touch
a treat for the
wanton hands where I seek myself.
Look well at
me:
silk between my
thighs
malachite on my
temples
polished lapis
lazuli on my wrists.
Perfect
simulation
of the clamor
of the senses
so as not to
hear you
so as not to
wait on you
melancholy
Galilean
as you tame
stones
asking for my
soul.
Listen:
at bottom we
are the same,
we belong to everyone
and to no one.
Watch, then,
how I spit
on your open
hand,
stainless dove,
denying you the
rag of empty air
you ask me for.
Look, seducer,
how I pay you
in your own
coin. |
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WITH THE CLOUDS
High August
and a blue so
absolute
it commits all
of me.
High August
and the blue
void I am
in this morning
of the senses.
Blue August
where there is
nothing more
than a sovereign
vastness
where nothing
is left
but color
and delight.
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