Selected Poems



     

Marika von Zellen






Wellspring



In the beginning, there were peaches bursting in the
back of a throat. Fluids and waters carried us from
 
the ocean to the tree-lined hills, gorging us with a taste for 
foreign bristles and weeds and needles. We saw a dirt road 

and swaths of old scarves left by the trail-blazers who came 
before, forever marking the dandelion with their 

sloughed-off material essence, the first sign-posts. 
Life has always been jagged in parts. When you face the 

disappointment of natural tendencies, you must learn to 
glue what was once yours back onto your hands.

Humanity is simple. Open shirts and shifts, the breeze 
between the shoulder blades of a mother hanging her 

children's laundry in the yard. Fulfillment in the chore, 
a hunger for the finite job. Ceramic language of the heart-

land folk. Singing songs of elemental understanding in 
front of family gravestones. The apples are ripe-the 

fields are wet. We culminate in the same ways: glass 
bottles on the stoop, a wave hello, a grove of dust and 

rinds left beneath the table. We learn to grant each other 
this favor. Of seeing gold on river-swollen hands. 

Of divining our reflections in the kitchen sink.





Planetesimal



I'm sad that what we see as the sun 
is only a mild star holding up this life. 
Its desperate bursts and arcs resemble 
the hopelessness of humankind, 
grasping at reasons for being as we tie
our shoes like blind baby birds, trying 
to sew back the pieces of our souls that fall
from our pockets as we walk to work.
I'm sad that the moon-crags, craters, 
haunting faces-is so silent, like animals 
shuddering in the cold. La luna shines, my 
god how darkly smiling, while divorce 
papers whirl in the wind. 

And they do not come back together.




Aqua Vitae



	I am in all of these things. I sleep and unsleep
	as if the universe were a mistake.
		- Fernando Pessoa, The Book of Disquiet

Something is alive that possesses a membrane:
	A gulf of protoplasm-the universe's
Preferred method of cohesion. What 
	Holds the atoms of a vase in the shape
Of a vase? The constant flex and flux

Inside that fractal of a galaxy proves
	That things move-continuously. 
Time is consciousness noticing the
	Differences between one moment 
And the next. Here are two pictures:

Tepid smiles, plates of halava, a child's 
	Outdoor birthday party, sand between
Little toes, fathers practicing berachot 
	Before the singing; One subtle streak,
Then fire-ballooning, cascading chunks

Of the child's roof, a hand, a foot torn
	Into segments the size of the cosmic womb.
This, the reversed nature of order, is
	Our Collectanea Chemica. Lab coats & obelisks
No longer exist together. To communicate

Between two distant points, we must feel sorry 
	For the loss of another.




The Haunted, The Conjured



There are only two ways to see a demon. 
One involves mirrors & secret hallways, the back

Of a neck, a discolored spine. The other, a will
As strong as a legion of Spartans. A holy rejection. 

To conjure a demon, you must de-wing a
Hummingbird, balk at the serene. The light. Luckily,

I've tried both ways. Don't give up a good chance,
I always say. Even when you begin to see the jagged

Sprouts of thorn bushes where they shouldn't be,
Like on the seat of your car, or in your glass of merlot.

I don't have many glasses but I admit it's been more
These days. There are fragmented people hiding in

Corners. Bones unlocked. Crackling. The television
Only comes on when I press the button. Isn't that

Abnormal? My friends are growing shadows on
Their teeth. They smile as the sun drops down and

The dogs begin to whine. When I feast, I hear
Rumors that I'm mad. That I've broken diamonds

With the caress of my finger. To see a Demon
You must affix the grotesque. Haunted houses. Towers.

Moats. Or give yourself the name of a goat and cry,
I conjure thee. And believe. Have faith in your religion.

Have faith. Have faith.