Features


Baker's Dozen


Virgil Suarez

 
   

ERASURE



            
	"Hangman, hangman, hold it a little while, 
              I think I see my friends coming, riding many a mile."
			-Led Zeppelin 
  
  
The mirrors in the restaurant of exile shattered today. 
  
My father's remains recompose, his heart pumps & flutters 
  
as he joins the dead digging themselves out of countless graves. 
  
No more dancing.  No more singing.  The streets change 
  
Names.  The airplane that brought us propels itself 
  
in reverse, a sky monster choking on its own sooty smoke. 
  
Hazy blood point of perspective diminishing in the distance. 
  
Who fights oblivion to win?  Who wants history to absolve them? 
  
We did not belong here, nor will we exist here much longer. 
  
The Magic City crumbles to rubble first, then sand, then dust. 
  
In the straights waves regurgitate the many who drown. 
  
Nobody remembers their names or stories, but they float back 
  
beyond the detritus and flotsam.   The asphyxiated walk backward 
  
in camara lenta, long enough for the tropical light to bring back color 
  
to their gaunt faces, and reed-hollowed bodies.  The sun counterfits 
  
its purpose.  The island frees itself long enough to enjoy a last cafecito. 
  
In 1962 a man holds his son for the first time, a moist seedling 
  
who will lose itself into a dark and sterile earth.  This couple marry 
  
and move to a ravaged city to coil back through impossible 
  
beginnings in 1959--the year a murder of crows ravaged the harvest. 
  
Before that came the hurricanes, the Spanish raping the Tainos. 
  
And even before that the first coconut and the first palm.  Lava.  Earth. 
  
The sand retreating below the ocean, cooling and burning itself out. 
  
Who were we?  What became of us?  Those marks we left in the wake 
  
of all this vanishing taking place in another place where the mirrors 
  
are black or covered with stained bed sheets and old rags.  Cracked, we 
  
do not recognize ourselves in the cobwebs of that rubble we called home. 





THE BEAUTIFUL LIGHT



Most of the world is disappearing. 
One car at a time, one person. 
  
My daughter's endocrinologist 
Says it's a fresh canvas every hundred 
  
Years, a new slate that continues 
To repeat itself, yellowing all along. 
  
A slow demise and sinuous flaccidity 
To the flesh.  Metal rusts.  Organic 
  
Material decays.  We make time cringe 
At will, but time doesn't seem to even 
  
Want to linger in this pocket of marsh 
Where a terrapin's snout disturbs a froth 
  
Of duckweed and algae.  Insects freeze 
Inside the pages of an ancient book. 
  
It's daylight savings again, here comes 
That light that casts a shadow on the porch. 
  
A bloody cardinal files its complaint 
To the sun that the squirrels hoard 
  
all the seed in the broken bird feeder. 
On a desolate highway, a roof caves 
  
In at the abandoned motel.  A tile crushes 
The rat.  A nest of wasps is torn asunder. 
  
That buzzing you hear is the light 
Fighting back its inability to remember 
  
We'd been here in this same room 
Watching Hopper paint the billowed 
  
Curtain.  Outside the clouds drag themselves 
Across the landscape again.  They speak 
  
a ruckus in eternal and yet momentary 
sameness.  They will be back tomorrow, right?