Sudeep Sen
BHARATANATYAM DANCER
for Leela Samson Spaces in the electric air divide themselves in circular rhythms, as the slender grace of your arms and bell-tied ankles describe a geometric topography, real, cosmic, one that once reverberated continually in a prescribed courtyard of an ancient temple in South India. As your eyelids flit and flirt, and match the subtle abhinaya in a flutter of eye-lashes, the pupils create an unusual focus, a sight only ciliary muscles blessed and cloaked in celestial kaajal could possibly enact. The raw brightness of kanjeevaram silk, of your breath, and the nobility of antique silver adorns you and your dance, reminding us of the treasure chest that is only half-exposed, disclosed just enough, barely - for art in its purest form never reveals all. Even after the arc-lights have long faded, the audience, now invisible, have stayed over. Here, I can still see your pirouettes, frozen as time-lapse exposures, feel the murmuring shadow of an accompanist's intricate raag in this theatre of darkness, a darkness where oblique memories of my quiet Kalakshetra days filter, matching your very own of another time, where darkness itself is sleeping light, light that merges, reshapes, and ignites, dancing delicately in the half-light. But it is this sacred darkness that endures, melting light with desire, desire that simmers and sparks the radiance of your quiet femininity, as the female dancer now illuminates everything visible: clear, poetic, passionate, and ice-pure.
NOTE:
The line-end rhyme-scheme - a b a c c a ... d b d e e d ... f b f g g f ... - maps and mirrors the actual classical dance step-pattern and beat - ta dhin ta thaye thaye ta. Left-hand margin indentations match the same scheme and form.
KARGIL
Ten years on, I came searching for war signs of the past expecting remnants - magazine debris, unexploded shells, shrapnel that mark bomb wounds. I came looking for ghosts - people past, skeletons charred, abandoned brick-wood-cement that once housed them. I could only find whispers - whispers among the clamour of a small town outpost in full throttle - everyday chores sketching outward signs of normality and life. In that bustle I spot war-lines of a decade ago, though the storylines are kept buried, wrapped in old newsprint. There is order amid uneasiness - the muezzin's cry, the monk's chant - baritones merging in their separateness. At the bus station black coughs of exhaust smoke-screens everything. The roads meet and after the crossroad ritual diverge, skating along the undotted lines of control. A porous garland with cracked beads adorns Tiger Hill. Beyond the mountains are dark memories, and beyond them no one knows, and beyond them no one wants to know. Even the flight of birds that wing over their crests don't know which feathers to down. Chameleon-like they fly, tracing perfect parabolas. I look up and calculate their exact arc and find instead, a flawed theorem.